Goodbye Stranger

for Castiel


When love

looks like densely

woven flannel the color of last

life in autumn, getting stabbed

in the heart

is incidental.


You knew

this was coming


marching toward the inevitable

for eight years

does not an easier

death make.

Cleaner, maybe.

Simpler, yes.

But never



You knew

that in the flare

of your last


you would see

a crumpling face, maybe


and that there would be

no more reaching

out of hands, no more

grasping the arms of


in one last attempt to revive

a lifeline long since



You knew

that as you fell

to your knees

in the crumbling leaves,

the first

snowflake of a Canadian


would fall somewhere in the periphery,

it’s fragile fluttering

the subtle bookend of your



When loss

looks like that first solitary

sign of winter, being

remade is



You know.

Foundry Production

Yes, she is beautiful, cast in the half light of fiction. But did you have to say so? Your pronouncement is obscene–the melting, the pouring, the casting of it will burn you before it can hold anything worthwhile. Before you know it, you’ll be the man in the background of a Christmas polaroid, a wishing subject stuck in the periphery of a viable option. A vase bursting with daisies will block half of your face, your good side, and it will be all the more disappointing because you won’t be able to remember daisies being on your table at all that day. Truth is, the carefully golden container was scooped up and carried off by hands that may have fit quite nicely into yours had you allowed them to be filled with only things that matter: your longing friend, the yellow flowers from your wedding day, the copper urn you mistook for bronze.

Streetlight Sanctity

We’re standing in the lamplight

together while a friend

of ours rests her forehead

on the pavement.


We want to go home, but

she has to pray.


She keeps begging for your

forgiveness, taking your hand,

and you’re staring at me

like she isn’t even there.


I’m oscillating between being

chilled by the late

October air and being


set on fire by artificial

lighting and the accidental

piety of sky

blue eyes.

Knowing in the age of TED

In the age of the ever present internet, I often feel like I am giving a TED Talk to myself. Like I’m an expert on everything. Anything. Just ask me and I’ll tell you, I find myself whispering into my own ear. It’s as if I’ve saved these moments up like trinkets in a souvenir chest, waiting for the perfect moment to pick out the just right thing and display it with a flourish.

Here, I’ll say, here is the truth.

Of course it’s elegantly presented and I’m pacing just the right amount across my small red circle planted smack in the middle of the too large stage. I use all the right hand gestures and lean forward enough to look engaged but not far enough to come across as domineering.

It’s all practiced, yes. But is it all bullshit? Can anything truly be a farce? Can anything be real?

I don’t know. I suspect the audience will tell me.

If I could tell my 16 year old self anything…They’re rolling their eyes now, wishing they’d chosen another session with someone smarter, more original, more memorable. But they’ll be clapping at the end. I’ll shove my tidy little message into the not so tidy cracks in their still sixteen year old heart. And they’ll feel it. They’ll remember.

That pain you think you deserve? You don’t. When someone hurts you, it’s a reflection of who they are-not who you are.

My 26 year old self knows this with enough confidence to say it to a whole room full of imaginary people. Both of these things are truthful but they’re not exactly true. I can sell them without believing in them. It’s not snake oil as much as it’s a coconut oil cure-all. It’s not randomized or controlled but you’ll see it on click bait until it becomes a kind of fact.

You can buy it. Hold on to that receipt.